"At a recent concert where I played the Brahms concerto, a young man in the second row filmed my entire performance on his smartphone. When I first noticed him, my reaction was one of surprise and mild annoyance. This sort of thing is prohibited, as a rule, in most if not all traditional concert halls. I stared at him with my best, "seriously?" look, but he didn't seem fazed by that at all. So I just tried to ignore it as best I could. I'm guessing he had no idea that I might find his filming objectionable. He applauded enthusiastically and smiled at me at the end.
This got me thinking about the pros and cons of recording a performance in this way, both for the musician and for the potential audience for such a recording. I admit to feeling a bit conflicted about the issue ..."
James Ehnes is the Violin Soloist and Artistic Director for the Seattle Chamber Music Society. Read his entire Blog post here:
Familiar scene? Photo by Josué Goge, some rights reserved |
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