Think About Accenting Notes

The winter 2014 volume of Dulcimer Players News  landed in my mail box this week. As usual, I sat down to quickly peruse the entire magazine to see what treasures might be in store, lingering here and there as my mood dictated. I saw my friend, Nat West, is looking to start a dulcimer playing children's group in Florida. John Keane offers insight into the difference between playing and practicing. Deb Porter is encouraging folks to find their singing voice. But my favorite article this time was written by Stephen Humphries, "Rhythm, Accents, and Syncopation: Putting the Emphasis on the Right Syllable."

I've had the chance to take several classes with Stephen in recent years. A great teacher and an impressive performer … he's a percussionist who really knows how to handle the hammers! And guess what? He's one of the featured instructor-performers at this year's Winston Salem Dulcimer Festival, May 2 - 3. If you haven't yet made plans to go, what are you waiting for?

But I digress. Let's get back to the article. Last year, I taught a class myself at Winston Salem Dulcimer Festival. The focus was syncopation. The students were challenged. I was not surprised. I have found that syncopation itself, and accenting specific notes in general are common areas of difficulty for all of my students. So I was interested to read what Stephen had to say. I really like the way he described how he thinks about hitting a note in order to accent it. I highlighted this paragraph and have been reading it verbatim to all of my students this week. Seriously! Different situations have come up in every lesson that have called for this insight:

"I prefer to think about accenting (or emphasizing) notes by hammer height rather than force. It allows my grip to stay more relaxed and the notes to flow more smoothly. In fact, sometimes it is even better to think about lowering the hammers on non-accented notes, or de-emphasizing these notes, to get the desired effect of an accent. An accent only needs to be one level louder than all the notes around it to stand out."  ~ Stephen Humphries

Check the article yourself for all the details, plus a page full of exercises. And maybe I'll see you in one of Stephen's classes in Winston Salem!

Read more about Stephen Humphries on his website:

"Stephen Humphries is a national hammered dulcimer champion, freelance percussionist, and music educator. While regularly performing and teaching at dulcimer and folk festivals around the country, Stephen also presents educational programs for hammered dulcimer and percussion in elementary, middle, and high schools. Additionally, Stephen composes music for the hammered dulcimer and other percussion instruments and shares this music through his performances and workshops. In 2011, he was awarded a Make Work Grant from CreateHere (a Chattanooga, Tennessee arts organization) for projects fusing hammered dulcimer and percussion through the use of technology. Stephen is also an artist/educator for Innovative Percussion, Inc. "

7 Reasons Why I Subscribe to Dulcimer Players News

The winter edition of Dulcimer Players News arrived in mail boxes this week. I subscribe to a number of magazines, but the DPN is the only one that immediately grabs my attention and demands that I sit right down and read it cover to cover! So, what's the big attraction?

• All issues are archived ... all the way back to 1975. Once current magazines are out of print they become available in the archives, accessible on the DPN website under "Resources".
• I even like reading the ads! It's one way of keeping up with must-have dulcimer products, new cds and books, instructional materials and opportunities, festival flyers, etc.
• Festival listings make it easy to find events in your neck of the woods, to follow your favorite teachers, or to make plans to try something new. Attending festivals and workshops is a great way to find out more about your instrument, to learn new skills and tunes, to enjoy the work of quality instructors / performers, and to meet up with old and new friends.
• Meaty articles for inspiration and education.
• Sheet music for practical application.
• The Sampler CD, included with every issue. Such diversity in the projects out there!
• And the #1 Reason I like reading the DPN ... Connection to the wider dulcimer community (both hammered dulcimer and mountain dulcimer). It's fun to see what my dulcimer buddies are up to!

Speaking of buddies in the Dulcimer Players News ....
One of our own Triangle Trapezoids, Helen Wolfson of Durham, is featured in the "Music and Book Review" section of the current DPN. Look for Helen's write-up of her new solo album, "Silver Lining," on page 46. PLUS, the title cut, "Silver Lining Waltz" is included on the Sampler CD. Congratulations, Helen!

From the western part of the state, our friends Ruth and Steve Smith have had yet another cut selected for the Sampler CD ... "Along This Crooked Road", from their Heirlooms CD. This new recording includes both vocals and instrumental tunes. Well done, Ruth and Steve!

While you're checking out the archives ...
I wrote a couple of articles that were included in past magazines:

"Getting Around on the Hammered Dulcimer", an exercise in shifting octaves.
Please note that the sheet music printed in the magazine is incorrect! The correct music may be found on Sue's website. Look for the link on the home page.
DPN, Summer 2011, volume 37 - #3, page 36

"The Power of One - Using Drones"
DPN, Fall 2011, volume 37 - #4, page 30

Check out the DPN web site. Maybe it's time you subscribed, too!
Already a subscriber? Tell us what you like best about the magazine. What great features have I missed here?